侯艷秋 (HOU Yan-qiu)
管樂演奏家侯艷秋，出生於中國河南省，在父母的薰陶下，九歲時開始學習嗩呐，十二歲考入中國音樂學院，現已是中國音樂學院的一名青年教師，她經常被邀參加電影、電視以及電台的音樂錄音工作，同時還應邀到世界許多國家和地區訪問演出。並受到了各國人民的一致歡迎和好評。一九九五年榮獲「北京國際中國民族器樂獨奏大賽」嗩呐第一名。 HOU Yan-qiu HOU Yan-qiu was born in Henan province. She started to learn the suona under her parents’ guidance at the age of nine. When she was twelve, she was admitted to the China Conservatory. Now she has become a teacher in the Conservatory. She is frequently invited to join soundtrack productions for films, TV and radio stations, and has toured many countries for performance, winning the acclaim of the audiences. She was the champion for the suona section in the International Chinese Music Competition 1995.
任同祥 (REN Tong-xiang)
嗩呐演奏家任同祥，一九二六年十二月十八日（農曆丙寅年十一月十四日）出生於山東省嘉祥縣張樓鄉荷澤區任家村，二零零二年十二月十日病逝於上海。任氏九歲自習民間鼓樂，十二歲隨堂伯父任保盼學習魯西南鼓吹樂演奏，不久即成為當地鼓樂班子的「主吹」，十五歲參加在山東楊莊舉辦的五家鼓樂班「對班」嗩呐比賽，技驚四座，任氏吸取各地高手演奏民間嗩呐曲《百鳥音》的特點，借鑑前輩藝人袁子文創用的「疙瘩腔」技法創改為「反雙吐」，配用袁子文的《百鳥朝鳳》易名，及至一九五三年，此曲已趨成熟、完整，同年通過多次選拔，參加了全國第一屆民間音樂舞蹈（業餘）匯演。稍後又被選拔參加在羅馬尼亞布加勒斯特舉行的第四屆世界青年與學生和平友誼聯歡節，以《百鳥朝鳳》一曲獲銀質獎章。隨後在「嗩呐王國」緬甸演出《百鳥朝鳳》後，獲緬甸總理親授國家金質獎章。一九五四年，出任上海實驗歌劇院嗩呐獨奏演員及在上海音樂學院兼課，直至病逝。他還擅演《抬花轎》、《一枝花》等。 REN Tong-xiang REN Tong-xiang was born on December 18, 1926 in Jiaxiang, Shandong province and passed away of illness on December 10, 2002 in Shanghai. At the age of nine, he learned the folk percussion tunes by himself. When he was twelve, he learned the wind and percussion music of south-west Shandong from his uncle REN Bao-pan. Soon, he became the chief performer of the local ensemble. When he was fifteen, he participated in the competition of suona for the five local ensembles. At the competition, he was pleasantly surprised by others of
趙春峰 (ZHAO Chun-feng)
嗩呐演奏家趙春峰，一九一二年十二月二十二日出生於山東省樂陵縣一莊稼人家。九歲入私塾，開始萌發學習民間音樂的志向，十三歲正式拜同村吹歌會高手邵相林為師學管子演奏，並參加該村之半職業性吹歌會，十六歲離鄉參加山東樂陵別處一個職業性鼓樂班，隨張世昌學習板胡、嗩呐、笙等樂器。一九三九年，隻身赴天津參加當地鼓樂班贏得「嗩呐大王」之美譽。一九四○年，被哈爾濱「郭炳日鼓樂班」聘為該班主奏。一九五○年，返回山東，先後在寧津縣河北梆子劇團和評劇院任琴師。一九五三年後，被中央音樂學院及中國音樂學院聘為嗩呐專業教師，兼授笙、管、板胡等樂器。趙氏多年來走南闖北，廣擷鼓吹樂之精粹，將原為有詞之《大金絲草》，描述伯牙失去知音懷故之情的曲趣放慢潤飾，另具懷舊思故之情，並易名為《高山流水》，與琴、箏曲《高山流水》各異旨趣，各領風騷。其著述有《趙春峰嗩吶曲集》和《嗩吶曲選》等教材。 ZHAO Chun-feng ZHAO Chun-feng was born on December 22, 1912 in Leling, Shandong province. At the age of nine, he was admitted to a private school and started to approach traditional music. When he was thirteen, he formally learned the guanzi under the famous musician SHAO Xiang-lin of the wind ensemble in his hometown. He later joined the ensemble there. At the age of sixteen, he left his native place and joined the ensemble in other place. At there, he learned the banhu, suona, sheng, etc. from ZHANG Shi-chang. In 1939, He went to Tianjin and won a fame of “The King of
趙春亭 (ZHAO Chun-ting)
嗩呐演奏家趙春亭，一九○七年七月二十三日出生於河北省滄州縣崔莊一個嗩呐世家，一九八四年四月十九日病逝於北京，享年七十七歲。自幼酷愛民間鼓吹樂，十一歲時拜著名民間樂手「吹破天」及伯父與大哥為師，學習民間吹管樂器。一九五三年，被選為河北省代表隊的一員參加「全國第一屆民間音樂、舞蹈匯演」，以嗩呐獨奏《山東大鼓》和《小放牛》獲優秀演奏獎。後即被北京中央歌舞團吸納為獨奏演員，並於一九六○年調任新成立的中央民族樂團，開始代表國家作對外文化交流的使命，其間又不斷的學習與研究，開發了「簫音」、「三弦音」等新的演奏技巧，一九六四年，調職北京新成立的中國音樂學院任教，並任中國音協民族管樂研究組顧問，對新一代的學子作一絲不苟的培育，同年由北京音樂出版社出版《趙春亭嗩呐曲選》。 ZHAO Chun-ting ZHAO Chun-ting was born on July 23, 1907 in Cangzhou, Hebei province and passed away of illness at the age of seventy-seven on April 19, 1984. He liked music since his childhood and learned the traditional wind instruments under the famous musician “Blowing to Break the Sky” and his elder brother also his uncle at the age of eleven. In 1953, he was selected to represent Hebei Province to participate in the 1st National Joint Performance of Folk Music and Dance. He won the outstanding prize with the solo suona pieces The Shandong Dagu and Feeding Cattle. After that, he was appointed to the Chinese orche
左翼偉 (ZUO Yi-wei)
嗩呐演奏家左翼偉，一九七三年開始學習嗩呐，師從任同祥、趙春亭、胡海亭、宋保才等嗩呐名師。先後在蘭州空軍文工團、上海電影樂團、上海東方廣播民族樂團、上海民族樂團任獨奏演員。曾在全軍匯演、上海市青年匯演及「上海之春」中獲獎。錄製了多張個人專輯唱片，其中管子獨奏《雲山如夢》獲台灣嚴肅音樂「金唱片獎」。左翼偉除嗩呐外，他還學習了管子、笛子、篳篥、巴烏、葫蘆絲等多種民族管樂和西洋管樂圓號、薩克斯管的演奏，並運用這些樂器，以濃郁的民族風格、生動的音樂形象，出色地為上百部電影、電視劇音樂配樂。曾先後擔任上海東方廣播民族樂團團長，上海民族樂團副團長，上海文廣新聞傳媒集團音樂部資深編輯等職。 左翼偉，著名管樂演奏家，國家一級演員，中國民族管弦樂學會常務理事，全國嗩吶專業委員會顧問，中國音樂家協會、上海音樂家協會會員，上海音樂家協會民族管弦樂專業委員會副會長兼秘書長。曾任上海電影樂團民樂隊隊長•上海東方廣播民族樂團團長，上海民族樂團副團長，上海東方廣播中心資深督導。1973年開始學習嗩吶，師從任同祥、趙春庭、胡海泉、宋保才、楊洪昌、楊禮科、朱鉅昌等管樂名師，曾在蘭州軍區空軍文工團、上海電影樂團、上海東方廣播民族樂團、上海民族樂團擔任獨奏演員，在全軍匯演、上海市青年匯演及“上海之春”獲獎。錄製了民族管樂及薩克斯個人專輯，多次成功舉辦民族管樂獨奏音樂會。與多位著名作曲家合作，首演和演奏了嗩吶協奏曲《走西口》《怒沉》《大風歌》《黃河謠》《敦煌魂》《山丹丹開花紅艷艷》《唱支山歌給黨聽》《翻身道悄》《繡金匾》《梁山隨想》《氣衝霄漢》及管子獨奏《雲山如夢》《小白菜》《山歌仔》《老山謠》等民族管樂作品。以獨奏家身份與中央民族樂團、上海交響樂團、上海歌劇院交響樂團、上海愛樂樂團、上海文廣民族樂團、上海飛雲民族樂團、江蘇省民族樂團、南京民族樂團、香港中樂團、澳門中樂團、台灣高雄市國樂團等合作演出。應邀赴幾十個國家和地區演出、講學。左翼偉基本功扎實，技巧全面•演奏流暢自然•委婉抒情。既能表現嗩吶高亢激昂、歡快喜慶的特色，又講究音色和深沉含蓄的韻味，極富感染力。除嗩吶外，還擅長演奏管子、篳篥、巴烏、葫蘆絲、笛子等民族管樂和西洋管樂薩克斯，並運用這些樂器出色地為上百部電影、電視劇、話劇、舞劇配樂。左翼偉多年來還培養了一大批愛好民族音樂的青少年，教授的學生和指導的學生民樂隊獲得了全國及上海市各類民樂比賽的獎項
杜聰 (DU Chong)
管樂演奏家杜聰一九六七年出生於上海，自幼酷愛吹奏藝術，以優異的成績考入上海音樂學院，在笛子演奏家陸春齡與趙松庭兩位大師悉心栽培下，脫穎而出，成為一位優秀的演奏人材，於一九八五年畢業並加入上海民族樂團，後調入上海歌舞團，為該團獨奏演員，現任職於北京空政文工團。杜聰以其紮實的基本功和富有創造性的演奏才能，在笛、簫、巴烏、塤、排簫、新笛及胡蘆絲等吹奏樂器的演奏中，取得了矚目的成就。在排簫的吹奏中，杜聰尤以其柔婉、灑脫、極富表現力的演奏，獲得廣泛好評，被譽為「排簫王子」。杜聰多次以獨奏家身份隨團出訪過荷蘭、比利時、法國、香港等國家和地區，廣為觀眾的讚賞。他曾錄製了鐳射唱片專輯；並為多部電影、電視片配音擔任音樂主題的獨奏或領奏。現為中國音樂家協會會員，上海音樂家協會會員。 DU Chong DU Chong was born in 1967 in Shanghai. Graduated from Shanghai Conservatory in 1985, he joined the Shanghai Chinese Orchestra and was later transferred to Shanghai Dance and Opera Troupe to be a dizi soloist. He is now the soloist of the Song and Dance Troupe of the Air-force Political Department of the Chinese People’s Liberation Army in Beijing. He studied the dizi under great masters LU Chun-ling and ZHAO Song-ting. He has laid a firm foundation in music and achieved great success in dizi, xiao, ba-u, hulusi and xindi. He has formed a unique style and is extremely tender, gentle, easy and expressive i
譚寶碩 (TAM Po-shek)
簫、笛演奏家及造簫家譚寶碩，自幼學笛，師承嶺南派一脈，後更廣泛研習南北各派的吹奏風格，其洞簫技法，則綜合了傳統和現代手法，形成自己獨特的風格。一九八七年，譚氏研究製造出低音洞簫，其後製造出定調洞簫系列，一九九三年，製造出一支在中國音樂史上最大的洞簫，多年來致力於洞簫演奏及製作的研究，對洞簫藝術貢獻良多，備受音樂界人士好評。譚氏致力音樂教育，曾先後在中文大學、香港音專、梁式芝書院及香港演藝學院出任中樂導師，一九九七年至二○○二年，出任香港學校音樂節評判。一九七七年，譚氏的作品《運河歡歌》入選為廣東省優秀創作器樂曲，近年創作有《雲門夜雨》等超過三十首的音樂作品。譚氏亦從事寫作·著有《笛子技法》及散文集《葉落天地間》。 TAM Po-shek TAM Po-shek started to learn the dizi since he was a child and was the follower of Lingnan School. Later he began to extensively research the performing styles of different schools both from south and north of China. He developed his special character of performing the xiao as a result of integrating the traditional and modern techniques. In 1987, he produced a series of xiao which ranged from bass to alto as his researching result. In 1993, he produced the biggest xiao in China’s music history. During all these years, he has dedicated himself to studying the performing techniques of xiao and making the instrument. He has continually bro
張維良 (ZHANG Wei-liang)
笛、簫、塤演奏家張維良，一九五七年出生於江蘇省蘇州市。一九七七年，考入北京中央音樂學院民族音樂系，一九八一年，轉入中國音樂學院器樂系，一九八二年，畢業並留校任教；同年，參加文化部主辦全國民族器樂獨奏觀摩演出，獲北方片笛子組一等獎。一九八七年，參加上海首屆海內外江南絲竹比賽，與同仁獲集體一等獎；同年，演奏《清明上河圖》（簫與箜篌），獲日本國際放送基金大獎。創作《太湖春》及《南韻》笛子獨奏曲兩首，分獲中國音樂學院首屆創作比賽二等獎和全國第六屆器樂創作比賽三等獎。張氏現為中國音樂學院器樂系副教授，九十年代中以來，發表專著《簫演奏法》、論文《當代中國笛樂文化發展的透視》、《中國竹笛教學回顧與展望》、《笛、簫樂器呼吸理論與實踐》等多篇，改編《簫曲四十首》並結集出版。 ZHANG Wei-liang ZHANG Wei-liang was born in 1957 in Suzhou, Jiangsu province. In 1977, he was admitted to the Beijing Central Conservatory. In 1981, he was transferred to the China Conservatory. In 1982, he graduated from the conservatory and became a teacher of the conservatory. In the same year, he was selected to participate in the National Traditional Instrumental Solo Performance organized by the Ministry of Culture and awarded the first honour of the dizi section. In 1987, he participated in the 1st Jiangnan Sizhu Competition and awarded the first honour together with his colleagues. He is now teaching in the China Conservatory and is the chairman of t
黃呈權 (WONG Ching-kuen)
洞簫演奏家黃呈權，一九一一年出生，一九六七年一月在香港中風病逝，原籍福建晉江，後移居廈門。一九二○年代到香港，就讀赤柱聖士提反中學，後進入香港大學醫學院。少年時受其兄影響，對音樂產生濃厚興趣，並曾涉獵鋼琴、手風琴等多種樂器，惟對長笛情有獨鐘。第二次大戰後黃醫生出任東華東院院長，後調升為東華醫院院長，同期間積極參與香港中英樂團（香港管弦樂團前身）演奏活動。一九五○年代後期，開始對洞簫發生興趣，除發掘及編寫洞簫演奏資料外，並嘗試製造及改良洞簫，在演奏和編譜方面，亦引進西洋長笛形式風格及技法，創新洞簫演奏風格。在推廣中國音樂方面，黃醫生亦不遺餘力，除音樂會和電台演出外，亦參與了香港中國國樂團的創立，並促成了香港校際音樂節中樂項目的設立。 WONG Ching-kuen WONG Ching-kuen was born in 1911 in Xiamen, Fujian and passed away of apoplexy in January 1967 in Hong Kong. His ancestral home was in Jinjiang, Fujian and later on migrated to Xiamen. He came to Hong Kong in 1920s and studied in St. Stephen College. He was graduated from the medical school of the University of Hong Kong. He became the superintendent of Tung Wah Eastern Hospital, and later Tung Wah Hospital from late 1940s to late 1950s. Despite his medical profession, he was keenly interested in music and was an accomplished flutist apart from being one of the founding members of the Sino-British Orchestra, an a
徐超銘 (XU Chao-ming)
笙、蘆笙演奏家、教育家徐超銘，一九四二年十二出生於浙江省天台縣。徐氏自幼喜愛音樂，六歲隨兄習二胡，中學時繼績隨音樂教師邱士幹習二胡。一九五八年，初中畢業後隻身赴上海，以一曲《燭影搖紅》考取上海音樂學院附中，師從王乙。翌年，由於王氏之倡議，學校開設笙演奏專業，在王氏鼓勵下，改學笙演奏專業。先後隨上海民族樂團張新民與上海實驗歌劇院趙鳳印習十七簧笙。一九六二年，附中畢業，直升上音大學部民族音樂系本科，繼從趙鳳印習笙一年，又短期從貴州省歌舞團著名蘆笙演奏家東丹幹習十八管蘆笙。現為中國笙學會副會長、上海音樂學院教授。作品有《送茶》等多首笙曲，又與牟善平、蕭江合作編著《笙練習曲選》一書，著文有《笙的和音與結合音》刊《音樂藝術》一九九一年第四期、《笙演奏技術的創新》刊《音樂藝術》一九九七年第一期。 XU Chao-ming XU Chao-ming was born in December, 1942 in Tiantai county, Zhejiang province. At the age of six, he learned the erhu from his elder brother. When he studied in the middle school, he continued to study the erhu under the music teacher QIU Shi-gan. In 1958 after his graduation from junior middle school, he was admitted to the Shanghai Conservatory and studied under famous musician WANG Yi. A year after, he was encouraged by WANG Yi, changed his study-subject from the erhu to the newly set-up sheng profession. He then studied the seventeen-reed sheng under ZHANG Xin-min of the Shanghai Chines