許健
許健先生，原籍河北省磁縣，一九二三年出生於天津。一九四二年開始就讀於重慶青木關國立音樂院，畢業後在重慶任音樂教師。新中國成立後參軍，抗美援朝時，從事戰地音樂活動，一九五四年復員返北京，任職中國音樂研究所至退休；其間，從楊蔭瀏、查阜西及管平湖修習古琴及樂學研究。一九五六年，任北京古琴研究會副會長，同年又與王迪參加查阜西先生領導的三人小組，向全國琴人進行採訪及錄音存檔。一九六二年及一九八三年，與王迪匯編《古琴曲集》，成正、續二集分年出版；一九八二年，又出版《琴史初編》，自一九八Ｏ年代開始，許先生又對傳統琴曲進行發掘及打譜，卓有成績。 XU Jian was born in 1923 in Tianjin, Hebei Province. His ancestral home was in County Ci, Hebei Province. In 1942, he studied in the National Conservatory of Qing Mu Guan, Zhongqing. After his graduation, he became a music teacher in Zhongqing. In 1954, he was admitted to the Music Research Institute of Chinese Academy of Arts and worked there until his retirement. After his joining the music research institute, he learned the qin and music theories under GUAN Ping-hu and YANG Yin-liu respectively. In 1956, he became the vice chairman of the Beijing Qin Society. In the same year, he and WANG Di joined ZHA Fu-xi to travel around China to have the qin players’ sound recording. In 1962 and 1983, he and WANG Di together publi
俞伯蓀 (YU Bo-sun)
俞伯蓀先生祖籍四川成都，一九二二年出生於故鄉。少時習戲曲及各種民族樂器，十四歲時習操縵於川派琴家陳蘊儒及龍琴舫門下；及長，與琴壇名宿查阜西、吳景略、溥雪齋等諸公遊。數十年來操縵不絕，將琴藝薪火相傳，曾創辦“蜀新琴社”、“古風國樂社”，嘗任“東坡詩琴社”社長之職，與夫人俞炎女士，將蜀派氣韻琴歌、琴樂，通過音樂會、雅集、詩詞吟唱會等，向各界作推廣介紹。 YU Bo-sun was born in 1922 in Chengdu, Sichuan Province. When he was young, he learnt many traditional Chinese instruments and opera. In the age of fourteen, he learned the qin under CHEN Yun-ru and LONG Qin-fang of the Sichuan School. Later, he travelled along different parts of China and visited and made friends with qin masters ZHA Fu-xi, WU Jing-lue, PU Xue-zhai etc. He founded the Dong-po Poetry and Qin Music Association and became the leader. Besides, he also founded Shu Xin Qin Music Association and Gu Feng Traditional Music Association to promote the qin music and qin ge of the Sichuan School together with his wife YU Yan.
楊葆元 (YANG Bao-yuan)
楊葆元先生，字乾齋，湖南省寧遠縣清水橋人，被譽為湘中琴學名宿，楊時百的哲嗣，一八九九年出生，一九六二年一月二十一月病逝於北京。其琴藝直宗並深得其獨步燕都的父親，宣南為琴來室、舞胎仙館主人，九疑山人楊宗稷（時百）的真傳，其琴風深具北派以味取勝的特點，蒼古正大，技巧豐富，格調高峻，沉吟有致。一九四七年，楊先生與張伯駒、溥雪齋、王世襄、管平湖、鄭珉中等人發起組織了“北平琴學社”，一九五四年，改名為“北京古琴研究會”。 YANG Bao-yuan was born in 1899 and passed away of illness on January 21, 1962 in Beijing. His first name was Qian Zhai and his ancestral home was in Qingshui Qiao of Ningyuan, Hunan Province. He inherited all his father’s performing art in the qin. In 1947, he and ZHANG Bo-ju, PU Xue-zhai, WANG Shi-xiang, GUAN Ping-hu together with ZHENG Min-zhong founded the Peiping Qin Association and renamed the Qin Research Association of Beijing in 1954.
沈興順 (SHUM Hing-shun)
沈興順先生，一九五六年生於香港，先後隨寓港容思澤、蔡德允二師習琴，並獲北京吳景略、蘇州吳兆基教授指導。操縵之餘蒐訪歷代古斲並考其沿革，所藏宋元明清琴曾展出於香港（一九九八、二ＯＯ三）、台北（二ＯＯＯ）及澳門（二ＯＯ四）各地博物館。一九九七年北京音樂研究所聘為特約研究員，一九九八年起擔任香港德愔琴社副社長至今，撰有《歷代琴器概說》、《絃外雜錄》、《潞琴考略》、《香江琴話》等。 SHUM Hing-shun was born in 1956 in Hong Kong. He learned the qin under RONG Si-ze and TSAR Teh-yun and got advice from WU Jing-lue and WU Zhao-ji. He was fond of preserving antique qins. His collections has been exhibited in Hong Kong (1998, 2003), Taiwan (2000) and Macau (2004). He was appointed to the Music Research Institute of Chinese Academy of Arts as a specially invited research fellow. He was the vice-chairman of the Deyin Qin Society since 1998.
張子盛 (ZHANG Zi-sheng)
張子盛先生，一九七一年八月一日出生於津門，一九九Ｏ年就學於天津東方業餘藝術學院，在津門老琴家高仲鈞先生的啟蒙下學習操縵，又先後請教於吳文光教授，及多位著名琴家，一九九二年榮獲杭州古琴賽“優秀演奏獎”（最高獎項），一九九四年主持創辦天津古琴會，一九九九年在天津文廟創辦了國內首家職業琴館，對琴樂薪傳不遺餘力。現為中國古琴考級專家評委，天津古琴會常務副會長，中國琴會理事等。 ZHANG Zi-sheng was born on August 1, 1971 in his ancestral home Tianjin. He studied the qin at Tianjin Dongfang Sparetime Art School under GAO Zhong-jun in 1990. He also studied under the well-known players such as LIU Li, WU Wen-guang, GONG Yi, LI Xiang-ting, etc. In 1994, he founded the Tianjin Guqin Society and planned and organized dozens of influential art and musical activities. In 1999, he founded his Guqin Art Centre in Tianjin. He is a member of the Chinese Traditional Musical Instruments Society, the Guqin Special Committee, the Nationalwide Guqin Grade Test Specialists Committee, and the vice chairman of the Guqin Special Committee, Tainjin Musicians’ Association.
陳閱聰 (CHEN Yue-cong)
陳閱聰先生，北京人，祖籍河南省靈寶縣，生於一九一七年，二ＯＯ八年逝世於北京。一九三八年畢業於北平大學工學院應化系，歷任東北大學教授，冶金部北京鋼鐵設計研究總院高級工程師等職。陳先生幼年時曾學鋼琴，十五歲拜師張友鶴先生門下學習操縵，屬諸城派琴家，十九歲即著有“古琴淺說”刊於一九三六年蘇州美術專科學校出版的《浪藝》。其後，又得楊葆元先生傳授琴法，六十多年來一直醉心於研究古琴藝術，他的演奏質樸純真，這應與老師們的教導和他的性格分不開的，因擅長琴曲《長門怨》，而有“陳長門”之稱。陳先生為北京古琴研究會會員，藏有宋代古琴“凍夜觀泉”。 CHEN Yue-cong was born in 1917 in Beijing and passed away in 2008 in Beijing. His ancestral home was in Lingbao, Henan Province. In 1938, he graduated from the department of Applied Chemistry, Peking University. He had been the professor of the Northeastern University and the Senior Engineer of the Steel Design Research Institute, Ministry of Metallurgy. Started with piano in early tears, he studied the qin at fifteen under ZHANG You-he. His Introduction to Guqin was written at nineteen and published in 1936 in a journal of the Suzhou Arts Institute. His special character and tutelage with ZHANG You-he made him indulged in the art of qin for over sixty years with a genuine and tranquil virtuosity.
高仲鈞 (GAO Zhong-jun)
高仲鈞先生，天津琴人，一九二一年出生於河北省霸縣，二ＯＯ三年在天津逝世，享年八十二歲。一九四一年從管平湖先生學習操縵，並曾參加第二次及第三次全國古琴打譜交流會，一九八Ｏ年正式教授古琴，一九九Ｏ年開辦天津東方藝術學院，為中國第一所古琴專門學校。 GAO Zhong-jun was born in 1921 in County Ba, Hebei Province. In 1941, he studied the qin under GUAN Ping-hu. He has been taken part in the second and third National Transcription of Qin Music Meeting. He started to teach the qin since 1980. In 1990, he founded the Eastern Art Academy in Tianjin which was the first school merely for teaching of qin.
陳熙珵 (CHEN Xi-cheng)
陳熙珵女士，北京人，一九四四年七月生於北京。自幼從父學習音樂，一九五九年在北京古琴研究會拜師古琴名宿管平湖門下，一九六Ｏ年考入中央音學院附中古琴專業，一九六三年升讀大學民樂系，一九六八年畢業於中國音樂學院古琴專業，就學期間，一直師從吳景略先生。一九七三年至一九九二年任浙江省歌舞劇院演員及音樂理論課老師，又任教於浙江藝術學院。現任全國民族樂器演奏藝術水平考級委員會古琴專家委員會委員。 CHEN Xi-cheng was born in July 1944 in Beijing. She was fond of music since her childhood. In 1959, she learned the qin under GUAN Ping-hu in Beijing. In 1963, she was admitted to the China Conservatory learned under WU Jing-lue and graduated in 1968 with qin performance as profession. From 1973 to 1992, she was the musician and theory teacher of the National Music Ensemble of the Zhejiang Song and Dance Troupe. She also offered courses of “History of Ancient Music in China” and “National Musical Instruments” in Zhejiang Vocational Academy of Art.
容思澤 (RONG Si-ze)
容思澤先生，原籍中國東北黑龍江省，滿族鑲白旗人，一九三一年九月九日出生於廣州，二Ｏ一Ｏ年三月十五日在香港逝世。其琴學為家傳，自曾祖慶瑞學習操縵於浙江錢塘李澄宇，後宦遊粵海，得與粵地琴友交，獲《古岡遺譜》、《悟雪山房琴譜》等流行粵地之名譜，遂成家學，娶側室李芝仙，並授琴藝，一八七三年著刋《琴瑟合譜》，越二年病故，家人遷户廣東番禺，民國後改「容」姓。李氏將琴學嫡傳三子容葆廷及孫容心言，再傳容思澤，其子孫亦繼承家學，現已延達六代，此為容氏琴學之淵源。容思澤先生遷居香港後，於一九五Ｏ年考入香港皇家警察，後轉民眾安全服務處工作，一九八五年退休，其間操縵不絕，除與港地琴人謝心回、盧家炳、蔡德允、饒宗頤諸先生往還外，還致力將祖學傳承，桃李滿門。 RONG Si-ze was born on September 9, 1931 in Guangzhou, Guangdong Province and passed away on March 15, 2010. Her ancestral home was in Heilungjiang Province, Northeastern China. He learned the qin under family tradition since their ancestor, Qing Rui, who learned it from LI Cheng-yu in late Qing Dynasty. Later on, Qing Rui worked away from his homeland to Guangdong and kept close with qin friends there. At that time, he got many famous scores including the Posthumous Scores of Gugang, Qin Scores of Wu Xue Shan Fang, etc. In 1873, he published his book, Qinse Hepu. His wife LI Zhi-xian learned the qin from him and taught it to his son and grand son RONG Bao-ting and RONG
李靜
李靜，生於濱海城市連雲港，自小得到靈山秀水的滋養和家庭藝術的薰陶，畢業於南京藝術學院古箏專業，師從閻愛華、涂詠梅、傅明鑒，在研修專業的同時注重汲取中國傳統文化的精華，間習古琴和書畫，使其融會貫通，形成 “深沉含蓄，恬靜秀雅” 的個人風格。在古箏音樂的演奏上，注重氣息的運用和樂句之間的交相呼應，準確的掌握了曲目的感情基調和藝術形象，使其演繹的作品氣韻生動，樂曲中流動著清新出塵的氣息。如同一幅幅疏密相間，濃淡有致的水墨畫，給人以強烈的思想共鳴，讓人不知不覺隨著樂曲一同沉浸在她的音樂世界裏。